HOME NEWS LINKS FORUM CALENDAR CONTACT
  
   Register now on our site FREE!    Login  
Site Menu
Thank you For Joining SmoothAhead Jazz
Username:

Password:


Lost Password?

Register now!



Browsing this Thread:   1 Anonymous Users





Are Jazz Musicans Willing to Die Empty?
Webmaster
Joined:
2008/6/8 12:17
From Long Beach
Group:
Webmasters
Posts: 5
Level : 1; EXP : 34
HP : 0 / 8
MP : 1 / 56
Offline
The Survival of Jazz, an interesting topic of sorts. I am located on the West Coast and I have quite frankly been doing a lot of soul searching in regards to this very topic. With the demise of radio stations that play jazz, whether it's Traditional or Contemporary, the economic boom, and all the other reasons to make one take note to the demise of Jazz. How is Jazz surviving? If one were to look at the recent closures of Jazz Festivals across the country, you would think that jazz fans would be in an uproar. I guess here on the West Coast, we're spoiled. We have the Playboy Jazz Festival, Monterey Jazz Festival, West Coast Jazz Party, and so many other local jazz festivals that you wouldn't think that jazz surviving is even an issue here, but I will say I have to agree with the notion that jazz will not continue to survive even on the West Coast. I’m a novice in the jazz world, love listening to you it, whether it’s recorded or live, but what has bothered me the most is the rising concern of it’s survival. I’ve started reading all the articles and blogs been posted about the survival of jazz and it has brought me to an awareness that something needs to be done before it gets to the point of death. Herein lies the problem, “At the same time, the cost of attending a live jazz concert, regardless of venue, is out of reach for many, especially young people and those of limited economic means—the very same folks who need to hear the music to understand and appreciate its cultural relevance.” We have cut the very source of survival at the root. The youth of today, have no investment in keeping this music alive. Sure there are several academic jazz programs in select schools across the nations, how many of these are in Inner Cities schools? I attend most Jazz festivals here on the West Coast and you don’t see any young children at the festivals, why is that? Most of the festivals will have a High School band or ensemble open up the festival, but that’s the extent of their involvement. The old guard of jazz musicians in my opinion has abandoned the notion that they need to reach back and give this great legacy to others to carry the torch from here. Let’s not even talk about Smooth Jazz versus Straight-Ahead Jazz; you will open up a can of whip ass. (LOL) Here is where change kicks in and new creative ideas are put into practice. SmoothAhead is a concept of sorts. Bridging the old with the new and moving ahead into a new future. The old guard hands the baton to the new guard with an overwhelming amount of responsibility in making sure that the survival of jazz is not even an option. There's a saying, when I leave this earth, I want to die empty, are Jazz Musicians willing to give all they have inside of themselves to the next generation to carry the torch into the future. I’m open to comments! Posted June 14, 2009

Posted on: 2009/8/18 23:08
_________________
Linda Morgan
info@smoothahead.com
www.smoothahead.com
Create PDF from Post Print







Post Reply
AccountName   Password   Login
Message:


You cannot start a new topic.
You can view topic.
You cannot reply to posts.
You cannot edit your posts.
You cannot delete your posts.
You cannot add new polls.
You cannot vote in polls.
You cannot attach files to posts.
You cannot post without approval.

[Advanced Search]





 


 |   |